Ghost in the Shell - Environments
I had the opportunity to be involved with the recent GHOST IN THE SHELL production. I was part of the Digital Environments team at MPC, and mostly responsible for environment modeling / texturing. I also got the chance to do some design work as well as lighting, rendering, and some compositing.
I got to work with a lot of super talented artists, and have a huge thanks to give to Pier, Khalid, Attila, and Garrett for everything I learned and got the chance to work on... it was super fun!
I should mention that all of these shots were a HUGE team effort by the MPC team. I simply had the chance to collaborate on the Environments department, and the final images are a product of all of our efforts and disciplines combined.
©2016 Paramount Pictures.
SkinnyMan fight.
I did a combination of environment modeling and texturing for this sequence.
I was primarily responsible for the modeling and texturing of all the signs. I was also responsible for the texturing of the ground-level part of the middle building (between the Major and Batou).
Hanka Robotics: Interior Corridor
I did the modeling, texturing, shading, lighting, rendering, and early compositing for this shot. The hallway is almost full CG, with the exception of a couple FG hallway plate panels.
Here you can see the digital set used again behind the window.
Hanka Spyder Tank Fight - Environment Modeling
I was responsible for modeling some of the environment for this shot including rubble pile where the Spyder Tank walks, debris, destruction, vehicle, and several buildings.
Hanka Spyder Tank Fight - Environment Modeling
I was responsible for modeling some of the environment for this shot including rubble pile where the Spyder Tank walks, debris, destruction, vehicle, and several buildings.
In this shot I did some of the modeling for the futuristic bridge lights, as well as the texturing, lighting, and rendering of those assets.
Maceij Hotel: Interior Ceiling Set Design
I designed, modeled, textured, lit, and rendered the full CG ceilings for the Maceij Hotel encounter sequence. It was a blast working on this, from concept to finish.
Design, modeling, texturing, shading, lighting, rendering, and early compositing of cg ceiling
Design, modeling, texturing, shading, lighting, rendering, and early compositing of cg ceiling
Design, modeling, texturing, shading, lighting, rendering, and early compositing of cg ceiling
Design, modeling, texturing, shading, lighting, rendering, and early compositing of cg ceiling
I was responsible for the texturing, look development, lighting, rendering, and early compositing of all the hanging wires in this shot
I was in charge of modeling the tank room and tank assets for this sector. This is where Batou loses his human eyes.
Hanka Spyder Tank Fight - Environment Modeling
I was responsible for modeling some of the environment for this shot including rubble pile where the Spyder Tank walks, debris, destruction, vehicle, and several buildings.
Debris, rubble, and barbwire assets I made were used to populate the Spyder Tank sequence.
Environment modeling
Responsible for some of the modeling in this shot (rubble piles and debris).
Modeling of rubble piles and debris spread throughout this shot.